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Watercolor Painting Sunrise / Sunset Skies. Part 3 Lifting Out The Lighthouse.


MATERIALS LIST

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A Color For Information

Sedimentary Warm        

Burnt Sienna

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Viridian

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Pthalocyanine Blue

A "warm" (greenish) blue.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Pyrrol Red

A "warm" (orangish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Arylide Yellow FGL

A "warm" (orangish) yellow.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering DaVincis Brand name.

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Yellow Ocher

A sedimentary color.

sediments quickly offering a mottled or shimmery look to the final (wash)

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Cerulean Blue

A sedimentary color.

Sediments quickly offering a mottled or shimmery look to the final (wash)

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Ultramarine Blue

A cool (purplish) blue.

A non sedimentary color settles out smoothly, theoretically yielding a uniform final (wash).

Actually Ultramarine Blue "flocculates" (gathers in clumps) so we only get a fairly smooth (wash)

Sadly, it's the only purplish blue thats light-fast and available to artists.

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Alizarin Crimson
( Quinacridone )

A cool (purplish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

n fact, Alizarine Crimson (a very early man made pigment) lost favor when it was found non light-fast.

Today we replace it it with a better version of the same color called Quinacdridone Red.

Nevertheless, manufacturers still call it Alizerine Crimson.

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Arylide Yellow Deep

A cool (greenish) yellow

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering the DaVincis Brand name.

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Cool        
Brushes

Brushes

I use mostly "Kolinsky" (Highest quality) red sable brushes. I also have some nylon brushes that are pretty amazing. They are on the high priced side of nylon brush prices.

Brushes do the actual painting. If the brush cannot do it ; neither can you. If you are a beginner, you should watch my videos All About Brushes.
and
Watercolor Brushes – What to look for when buying them.

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Papers

watercolor Paper

I use 140 pound cold pressed paper.

I buy "full sheets". Everyone will know that means 22" x 30". They are actually a little oversized which is true for all "mold made" papers.

Heavier thicknesses than 140 pound are nice but more expensive. "Rough" as opposed to cold pressed is also nice.

"Arches" brand; actual spelled D'Arches by the manufacturer.

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Palettes

Palettes

PALETTE Has Two Meanings

1) The selection of paints available to the artist.

2) The surface upon which the paints are stored and mixed.

In this case, the paint holder is a cut down ice cube tray. It stores, along with a wet sponge, in a zip lock bag. That keeps the paint fresh.

For a mixing surface I use a flat sheet of white plastic.

Another good one is clear plastic with white paper under it. A matte surface is preferable to a shiny one.

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This is a lesson on how to watercolor paint a lighthouse. First we lift the paint, then we paint in the base, catwalk and the actual light.

This is no ordinary lighthouse. This is my lighthouse: Fire Island Light. It's on the great South Bay, and so is my home. This channel, is modeled on Snake Hill Channel, a place were my family has picnicked and dug clams for half a century. My children and I feel at home there.

Navigation of Snake Hill, Channel can be a little tricky at low tide, but we know every inch of it. It is included in this painting in order to give darkness to the foreground. It is the intense darkness of the foreground which creates the "brightness" of the sky and it's reflection in the water. Cover the foreground with your hand and you will see how sterile the scene is without it.


PART 1 - The Sky



PART 2 - The Land and Sea

PART 3 - The lighthouse

 


Wet in wet painting
A Wet In Wet Watercolor Painting Lesson. Captain Watercolor Demonstrates How To Create Depth In A Painting.
How To Create Depth In A Painting. Captain Watercolor demonstrates how to paint a basket. A lesson in lifting watercolor paint
Painting A Basket - A Lesson Lifting Watercolor Paint - Part 1. Captain Watercolor demonstrates how to paint objects and their shadows
Filling The Basket - A Lesson In Painting Objects Part 2. Captain Watercolor demonstrates a monoprint. Adding texture using plastic wrap.
Watercolor Lesson - Monoprinting - Texturing With Plastic Wrap. Landscape shadows
Landscape Shadows. A Demonstration How to mix all the colors from just six.
Color For Beginners - How to mix all the colors. Example of complementary colors - How to plan the colors of a painting or anything else.
Color schemes - How to plan the colors of a painting. Picture show contrast between warm and cool images.
How to paint emotions using warm and co Captain Watercolor discusses abstract art.
Abstract Art - A discussion.

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