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Watercolor paintings illustrating different watercolor ideas and different watercolor painting techniques
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First Watercolor Lesson, Washes And Values.

To begin this watercolor lesson watch the video, and then print the "coloring book" using the to button on the left.

Value is the relative difference of dark and light. In a black and white (and gray) picture, value is easy to understand. Value in a color picture is difficult for the beginner to grasp. Perhaps its helpful to note that a dark red and a dark blue can have the exact same value.

A wash is an area of very wet paint. You create a wash when you paint an area of the paper with a layer of paint which is so wet that it stays so wet that the paint puddles on the surface. Basically watercolor is either washes or "drybrush", Drybrush isn't really dry but just wet enough to leave behind some damp paint. Washes are what makes watercolors so distinctive and beautiful, but that's another lesson,

You will be dealing with both of these concepts from the very first stroke of the brush. Understanding them makes everything much easier.

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MATERIALS LIST

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A Color For Information

Sedimentary Warm        

Burnt Sienna

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Viridian

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Pthalocyanine Blue

A "warm" (greenish) blue.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Pyrrol Red

A "warm" (orangish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Arylide Yellow FGL

A "warm" (orangish) yellow.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering DaVincis Brand name.

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Yellow Ocher

A sedimentary color.

sediments quickly offering a mottled or shimmery look to the final (wash)

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Cerulean Blue

A sedimentary color.

Sediments quickly offering a mottled or shimmery look to the final (wash)

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Ultramarine Blue

A cool (purplish) blue.

A non sedimentary color settles out smoothly, theoretically yielding a uniform final (wash).

Actually Ultramarine Blue "flocculates" (gathers in clumps) so we only get a fairly smooth (wash)

Sadly, it's the only purplish blue thats light-fast and available to artists.

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Alizarin Crimson
( Quinacridone )

A cool (purplish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

n fact, Alizarine Crimson (a very early man made pigment) lost favor when it was found non light-fast.

Today we replace it it with a better version of the same color called Quinacdridone Red.

Nevertheless, manufacturers still call it Alizerine Crimson.

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Arylide Yellow Deep

A cool (greenish) yellow

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering the DaVincis Brand name.

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Cool        
Brushes

Brushes

I use mostly "Kolinsky" (Highest quality) red sable brushes. I also have some nylon brushes that are pretty amazing. They are on the high priced side of nylon brush prices.

Brushes do the actual painting. If the brush cannot do it ; neither can you. If you are a beginner, you should watch my videos All About Brushes.
and
Watercolor Brushes – What to look for when buying them.

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Papers

watercolor Paper

I use 140 pound cold pressed paper.

I buy "full sheets". Everyone will know that means 22" x 30". They are actually a little oversized which is true for all "mold made" papers.

Heavier thicknesses than 140 pound are nice but more expensive. "Rough" as opposed to cold pressed is also nice.

"Arches" brand; actual spelled D'Arches by the manufacturer.

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Palettes

Palettes

PALETTE Has Two Meanings

1) The selection of paints available to the artist.

2) The surface upon which the paints are stored and mixed.

In this case, the paint holder is a cut down ice cube tray. It stores, along with a wet sponge, in a zip lock bag. That keeps the paint fresh.

For a mixing surface I use a flat sheet of white plastic.

Another good one is clear plastic with white paper under it. A matte surface is preferable to a shiny one.

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Current As Of

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